A Study on the Development of Blues Music and Its Interaction with American Society

Tian Sang

doi:10.54097/qzpqh843

Authors

Tian Sang

DOI:

https://doi.org/10.54097/qzpqh843

Keywords:

Blues music, African American music, music and society.

Abstract

This paper explores the origins, evolution, and impact of blues music in American society. It analyzes how blues music emerged from African American communities in the late 19th century and evolved into a significant form of cultural expression in the 20th century. The study highlights the close connection between blues music and American social, political, and racial issues. By examining the lyrics, stylistic changes, and performance forms of blues music, this paper reveals how blues reflects and influences racial issues, social classes, and historical changes in American society.

Downloads

Download data is not yet available.

References

[1] Hamilton, M. (2001). The Blues, the Folk, and African-American History. Transactions of the Royal Historical Society, 11: 17-35.

[2] Lary May, Advisor David R. Roediger, Advisor. In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy. University of Minnesota, 2004-09.

[3] Robert Patterson. Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality. Rutgers University Press, 2019-04-05.

[4] Jin Weixing. Several Questions on the Nature of the American Civil War. World History, 1992(02): 114-121.

[5] Xie Guorong. The Impact of World War II on the American Civil Rights Movement. World History, 2005(03): 13-21+143.

[6] Lerone Bennett. Before the Mayflower: A History of Black America, 1619–1962. Johnson Publishing Company, 1962.

[7] Ibram X. Kendi, Keisha N. Blain. Four Hundred Souls: A Community History of African America, 1619-2019. One World, 2021.

[8] Mangaoang Aine. How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s. Estudios Irlandeses, 2021-01-01.

[9] Darlene Clark Hine, William C. Hine, Stanley Harrold. The African-American Odyssey. Pearson, 2000.

[10] Chen Mingdao. The Feeling of Black Skin—American Black Music Culture. Beijing: World Knowledge Publishing House, 1999, pp. 8, 57, 124.

[11] Nat Hentoff. Notes on American Music. Translated by Tang Shuo, Wang Qin. Nanjing: Jiangsu People’s Publishing House, 2008.

[12] Sorcean Ailin. History of American Black Music. Translated by Yuan Huaqing. Beijing: People’s Music Publishing House, 1983, pp. 211, 198-199, 202-205, 256-266.

[13] Jim O’Neal, Amy Van Singel. The Voice of the Blues. Translated by Qiu Beiling, Wei Xin. Nanjing: Jiangsu People’s Publishing House, 2013.

[14] Guralnick. A Century of the Blues Journey. Translated by Li Jiachun et al. Beijing: China Renmin University Press.